It felt good to finally be clean. The smell of fish guts and the sea still covered her hands like an aura, but at least the blood was gone from between her fingers. Sparrow sat at a wooden table on the far end of the butchery. The windows were open wide, welcoming the salty night air … Continue reading Water and Blood – A (very) Short Story
Author: JM Williams
The Man Who Expected to Die – Friday Fictioneers, 3 February 2017
I watched the man cross the street through the glass eye of my high-powered rifle. He wasn't my target; he had nothing to do with me. I was here to kill a killer, not some guy in a faded wool coat. Then he turned his head up towards me; understanding restructured his face. Instead of running, he … Continue reading The Man Who Expected to Die – Friday Fictioneers, 3 February 2017
3 Ways to Become a Better Writer
Most writers know two simple ways to get better at writing. They are the basic tips of any professional writing program or class. Stephen King summed it up quite well in his great treatise of the craft On Writing, suggesting "If you want to be a writer, you must do two things above all others: read a … Continue reading 3 Ways to Become a Better Writer
The Rules of Good Microfiction, REBLOG: TLT – Wildfire in lavender
Story writing gets harder the shorter your story gets. Regardless of its size, a piece requires several things in order to be a complete story: characterization, crisis, and resolution. You could call it the CCR rule of short story writing (as in, if you don’t heed the rule then who’ll stop the rain?) This proves … Continue reading The Rules of Good Microfiction, REBLOG: TLT – Wildfire in lavender
REBLOG: A Crash Course In Suspense
Victor has some good points here about building suspense. Particularly in fantasy and action, suspense is vital to keeping the reader engaged. Readers do not want to given everything easily, suspense is emotion and emotion is why people read. As Victor suggests, foreshadowing is a good tool for building suspense. Letting the reader know something … Continue reading REBLOG: A Crash Course In Suspense
To be King – FFfAW
Harry watched the yellow banner billow in the wind. He was fixated on one of the Chinese characters, the one that meant "king" (王). He wondered to himself what it would be like to be a king. He was British, so would he be a king like the mythical Arthur or the historical William I? Though, … Continue reading To be King – FFfAW
Sun Touched – Friday Fictioneers
"What kind of people use one car to drag along another car?" I asked my mom. She looked over to me, her eyes squinting in the sun, her wrinkles reaching across her round face. It was a dark face--one the sun knew well, having placed its rough touch on her long ago and never releasing it. It was … Continue reading Sun Touched – Friday Fictioneers
REBLOG: A Warning Sign You’re Suffering From Culture-Blindness
Victor makes a very good point here, though I’m not sure what stuff he’s reading that starts like a slug…maybe that old-timey “Classic” lit. What you read certainly does have an effect on how you write and it is very good advice to make sure you stay aware of what current readers expect and demand. Twain is great in its original form, but it would be very different if the man was writing today. Market context is key.
Today’s readers (and perhaps to a more significant extent, publishers and editors) expect you to grab them with your first paragraphs, if not sentences. The shorter the piece is, the faster it needs to get rolling. With flash, your first sentences not only need to be active, they also need to setup the story in a significant way.
I will admit that I, too, don’t give stories much of a chance if they don’t hook me right away. There’s just so much content out there these days that there is no reason for a reader no to be picky. It’s not like a hundred years ago when you had to walk five miles in two feet of snow to get to a library that only had a dozen books. By the time you arrived, you were committed to reading “something.” By contrast, I get about a dozen stories in my email inbox everyday from a collection of sources including blogs I follow and daily flash subscriptions. So you had had better make your story meaningful and unique in the first few sentences, or I’m moving on to the next one. It is an absolutely vital skill for any modern writer.
Victor’s “fast” example is even a bit to slow for me. I want to know what the story is, what the crisis or the character is, right away. I’m assuming this story is not about a caravan, but perhaps the master? I would start it with the caravan master (or other protagonist) watching the caravan and doing something, being active, even if that is just thinking. That way we know who this story is about and we have them placed in the world. But that is just me.
Here’s how I’d write it, seeing as it would likely be a character-centered short story for me:
Rezza watched the sand fly up from the hooves of the horses, the asses grunting in the clouds of white dust. The heavy bundles strapped over the animals creaked and rustled in the morning sun. Rezza hoped they would be strong enough to make it through the brutal heat of the Yellow Valley; everything rested on his getting to the other side.
On a lack of action in your story.
I have had two people read “The Slave from the East,” and the general consensus is a mushy sort of “I want to read more, NOW, but I’m filled with incoherent rage, and I’m irritated at you, Victor.”
After some thought, my first beta reader informed me that it’s frustrating because, in his words, “nothing happens for a long time.”
Culture-Blindness: when a writer has been so saturated in classical literature that they have become desensitized to the average reader’s desire for action.
Yeah, I just realized the other day that I should think about making sure things happen in my books.
Culturally-induced Blind Writing (Bad Writing):
The caravan stretched down the road like a brilliantly colored snake. The horses and asses were burdened heavily with bags and bundles of goods, and the slaves that walked beside them were…
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Lay off the adverbs, alright?
And by this I do not mean to repeat the age old advice that you should avoid adverbs like the plague. To the contrary, I mean for publishers and editors to remove the stick and to stop viewing every word that ends in -ly as some sort of moral affront. I recently got a rejection … Continue reading Lay off the adverbs, alright?
What is success in writing?
What makes a fiction writer successful? No really, tell me, I'd love to know. I've been at this writing thing for several months now and it's a question I still cannot answer, particularly in reference to myself. I'm not new to writing. I have been writing since childhood, studied creative writing in college, and have produced … Continue reading What is success in writing?
