Here's a quick tip to help you polish your fantasy novel outlines and world-building. While it is common--perhaps unavoidable--to add historical inspirations to your fantasy world, you should do so in moderation. And you should be sure to differentiate your fantasy world from its real-world inspiration. Copying too much from a historical example can come off … Continue reading How (not) to Use Real History in Your Fantasy World
Tag: writing process
REBLOG: Where Ideas Come From
There's nothing wrong with writing stupid or pointless things. I think, that's maybe the best bit of advice you can offer a new writer. Much of the content of Douglas Adams's work is stupid and pointless, but done in such a majestic way. Sometimes we just want to read something totally ridiculous, to remind ourselves … Continue reading REBLOG: Where Ideas Come From
Tips Straight from the Horse’s, er Judge’s Mouth
One of my current goals as a science fiction and fantasy writer is to eventually get into Writers of the Future. This has been a target for me ever since one of my literature teachers in college won and was published by them. If you can survive the brutal competition and professional-level judging, you can proudly … Continue reading Tips Straight from the Horse’s, er Judge’s Mouth
My Writing Process, or Dirty Dancing with the Muses
Some people are plotters, some people leave their characters adrift in hopes they will do something interesting. Stephen King is in the latter camp, adamantly a member of the let-the-characters-do-their-thing party. I imagine Tolkien must have been a plotter, and a big one. He started out building a language and then wrote a story for it. I'm … Continue reading My Writing Process, or Dirty Dancing with the Muses
SHARE: 8 Unstoppable Rules For Writing Killer Short Stories
So like the last share, this is another article I came across in one of my Facebook groups that I almost never pay attention to. The article 8 Unstoppable Rules for Writing Killer Short Stories by Charlie Jane Anders offers a lot of good advice. This advice is more applicable to genre stories like science fiction and fantasy, but if … Continue reading SHARE: 8 Unstoppable Rules For Writing Killer Short Stories
REBLOG: How to Outline a Scene like a Pro
Such a great outline for checking your scenes, I had to share! Thank you for the advice, Amy. Amy Walters is an author and blogger who often blogs about writing techniques and tips. It would definitely be worth your time to jump over and check out what she has to say on the topic of … Continue reading REBLOG: How to Outline a Scene like a Pro
The Danger with Self-Publishing, or Why Collaboration is Essential for new Writers
I'm a traditionalist. I'm a military vet and a historian for gods' sakes, so my head is very much stuck on the tried and true. As an author, I have been putting all my focus on traditional routes for publishing--getting my short stories in mags and ezines, and finding a proper agent for my book. … Continue reading The Danger with Self-Publishing, or Why Collaboration is Essential for new Writers
Fastest Rejection in History!
Here's one for the record books: 1 hour, 6 minutes. That's the fastest rejection I've received for any piece of writing, ever. That's kind of special, in its own depressing sort of way. This is one of three rejections I've received from agents for my book so far. The others took much longer to get … Continue reading Fastest Rejection in History!
REBLOG: WHY ALL THE PRESENT TENSE?
This is a very nice article on the rising use of present tense in fiction, especially short fiction. I find present tense creeping up more and more in sci-fi and fantasy, and I don’t care for it. I’ve written about the use of present tense a lot, along with first-person and other stylistic choices. For me, the ultimate rule is if you move away from standard convention, it should have a reason. There should be a clear reason why you are writing in present tense, or first-person. If there isn’t, and you’re doing it just for style or to be quirky, it’s going to fall flat. I’ve written a couple S/F pieces in present tense because it was right for the particular piece, but it was a long and hard decision to get there. As it should be.
More and more and more and more over the past several years I see novels written in the present tense. Though this isn’t necessarily some new invention, going well back in time to Dickens at least, past tense more or less overwhelmed all other choices for decades in there, and though there are three, only two are practical. Go ahead. Try to write a novel in the future tense.
I honestly don’t know how I feel about this whole present tense thing, having never really written fiction in present tense. My first instinct is that this is purely authorial choice. A good story, well-told in present tense is a good story, well told, which is all I ask for as either an editor or reader—and is all I’m going for as an author.
But still, this present tense thing just seems to be an outlier, a weird trend that…
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REBLOG: YOUR PILE OF FAILURES
This is a very good article on failure, and the artistic process in general. I think the biggest take-away for me is the passage: “Think of it like this: If you have three finished short stories and the first doesn’t sell you still have two more in circulation. If you write one short story and wait for it to sell before writing the next one you may never be published ever—you may not even ever get to write that second story.”–This is right on.
I, of course, take this advice to a perhaps ridiculous level. I have about forty stories now on my tracker. I have 31 pending submissions. So far, I have received 15 acceptances, and 81 rejections! But just as this article says, having so many stories circling around, I feel less invested in each individual piece. The more I write and submit, the easier each rejection becomes. It feels like moving to a point of perfect Zen harmony, where I am satisfied with any response, acceptance or rejection. This helped significantly with my book submissions.
I have recently received the first response from an agent, and it was a rejection. But it didn’t even cause me to stutter. I sent out queries to two more agents this week, and if those don’t pan out, I have a bunch more tagged in my Writer’s Market book. At this point, I have enough success to know I am doing something right, so all I can do is keep driving on.
Failure is a reality of life. But it is a truth that today’s youth are not being taught. I recently started negotiations with a graphic designer to maybe do a cover for my book. The discussion was dead on arrival. The designer was fresh out of college, had no experience, a completely blank resume. Yet she expected to get near professional rates for her work. Of course, I wasn’t going to pay that for work I could not gauge the value of. Plus, as an artist myself, I know how it is to get started in the business.
Half a year in and most of my publications are still with free or token-pay publishers. You have to make a name for yourself, build a resume, before you can start demanding professional rates and respect. Hand-in-hand with that comes failure. Lots of failure. You have to get through the failure and prove your worth, then you can call yourself a professional.
It can be discouraging, but if you look at the most successful writers, people like Stephen King or J.K. Rowling, they struggled for their success. They worked other jobs while the wrote. They got rejected, time and again. But they kept at it, and in the end it all proved worth it.
If you really want to be a professional writer, you just got to grin and bear it, embrace the struggle and let it make you stronger. If you do, you’ll make it someday.
On February 1st of 2011 I wrote about the various definitions of “successful” and with six years passed, and two things appearing in front of me at more or less the same time, I thought it time to look at that subject again with the more negative connotation: failure.
First, I read Rivka Galchen’s article “Mo Willem’s Funny Failures” in the New Yorker, in which she told this story:
Willems’s books reveal a preoccupation with failure, even an alliance with it. In “Elephants Cannot Dance!,” they can’t; in “Don’t Let the Pigeon Drive the Bus!,” Pigeon, despite all his pleading and cajoling, never does. Willems told me, “At ‘Sesame Street,’ they would give us these workshops about the importance of failure, but then in our skits all the characters had to be great at what they did, everything had to work out. That drove me…
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