Okay, I think this is pretty cool. Often it is very hard to divine how publishers evaluate the stories they receive. One publisher I have interacted with--including having a story accepted by them--goes out of their way to explain their view of good, acceptable writing (here are comments on the problems of first-person narrators). This includes … Continue reading SHARE: Bards and Sages Fiction Score Card
Tag: writing tips
SHARE: 9 Tips to Become a Better Self-Editor
I stumbled on this great little list of editing tips and thought it worth sharing. Many of these are common ideas, but it doesn't hurt to see them again and reinforce them in your mind. Some of these are basic review techniques, others are larger exercises that function more to train you as a writer. … Continue reading SHARE: 9 Tips to Become a Better Self-Editor
Seeing Red
Added status counts to my publishing spreadsheet today (Excel is so useful!). Oh boy, that's a lot of red! But I'm not letting that slow me down. I just got a new acceptance letter today, recently got a request for a rewrite, and have two other stories in the final round of selection at their respective … Continue reading Seeing Red
Flash Fiction Publisher List
There are a lot of people in the blogoshpere posting fiction on their blogs, and most of it falls into the flash fiction spectrum--I mean, why wouldn't a format that is pressured to be short not be a hotbed for flash stories? So to all my fellow blog authors out there, I ask you why … Continue reading Flash Fiction Publisher List
Revising the Story Tracker
Professional writing is hard. Over the past few months, I have had to rein in my expectations. It takes a lot longer to get an answer from publishers than I expected. And rejection is a much more common result. The long duration of the publishing process makes it all the more important to have some … Continue reading Revising the Story Tracker
SHARE: List of Fantasy Cliches
While looking around for publishers to send my work to, I stumbled on this post which is linked to in Silver Blade/Silver Pen's submission guidelines. I have posted about cliches before. These are one of those things (like adverbs) that editors get unjustifiably hung up on. Like first-person POV and present tense and adverbs, cliches … Continue reading SHARE: List of Fantasy Cliches
3 Ways to Become a Better Writer
Most writers know two simple ways to get better at writing. They are the basic tips of any professional writing program or class. Stephen King summed it up quite well in his great treatise of the craft On Writing, suggesting "If you want to be a writer, you must do two things above all others: read a … Continue reading 3 Ways to Become a Better Writer
The Rules of Good Microfiction, REBLOG: TLT – Wildfire in lavender
Story writing gets harder the shorter your story gets. Regardless of its size, a piece requires several things in order to be a complete story: characterization, crisis, and resolution. You could call it the CCR rule of short story writing (as in, if you don’t heed the rule then who’ll stop the rain?) This proves … Continue reading The Rules of Good Microfiction, REBLOG: TLT – Wildfire in lavender
REBLOG: A Crash Course In Suspense
Victor has some good points here about building suspense. Particularly in fantasy and action, suspense is vital to keeping the reader engaged. Readers do not want to given everything easily, suspense is emotion and emotion is why people read. As Victor suggests, foreshadowing is a good tool for building suspense. Letting the reader know something … Continue reading REBLOG: A Crash Course In Suspense
REBLOG: A Warning Sign You’re Suffering From Culture-Blindness
Victor makes a very good point here, though I’m not sure what stuff he’s reading that starts like a slug…maybe that old-timey “Classic” lit. What you read certainly does have an effect on how you write and it is very good advice to make sure you stay aware of what current readers expect and demand. Twain is great in its original form, but it would be very different if the man was writing today. Market context is key.
Today’s readers (and perhaps to a more significant extent, publishers and editors) expect you to grab them with your first paragraphs, if not sentences. The shorter the piece is, the faster it needs to get rolling. With flash, your first sentences not only need to be active, they also need to setup the story in a significant way.
I will admit that I, too, don’t give stories much of a chance if they don’t hook me right away. There’s just so much content out there these days that there is no reason for a reader no to be picky. It’s not like a hundred years ago when you had to walk five miles in two feet of snow to get to a library that only had a dozen books. By the time you arrived, you were committed to reading “something.” By contrast, I get about a dozen stories in my email inbox everyday from a collection of sources including blogs I follow and daily flash subscriptions. So you had had better make your story meaningful and unique in the first few sentences, or I’m moving on to the next one. It is an absolutely vital skill for any modern writer.
Victor’s “fast” example is even a bit to slow for me. I want to know what the story is, what the crisis or the character is, right away. I’m assuming this story is not about a caravan, but perhaps the master? I would start it with the caravan master (or other protagonist) watching the caravan and doing something, being active, even if that is just thinking. That way we know who this story is about and we have them placed in the world. But that is just me.
Here’s how I’d write it, seeing as it would likely be a character-centered short story for me:
Rezza watched the sand fly up from the hooves of the horses, the asses grunting in the clouds of white dust. The heavy bundles strapped over the animals creaked and rustled in the morning sun. Rezza hoped they would be strong enough to make it through the brutal heat of the Yellow Valley; everything rested on his getting to the other side.
On a lack of action in your story.
I have had two people read “The Slave from the East,” and the general consensus is a mushy sort of “I want to read more, NOW, but I’m filled with incoherent rage, and I’m irritated at you, Victor.”
After some thought, my first beta reader informed me that it’s frustrating because, in his words, “nothing happens for a long time.”
Culture-Blindness: when a writer has been so saturated in classical literature that they have become desensitized to the average reader’s desire for action.
Yeah, I just realized the other day that I should think about making sure things happen in my books.
Culturally-induced Blind Writing (Bad Writing):
The caravan stretched down the road like a brilliantly colored snake. The horses and asses were burdened heavily with bags and bundles of goods, and the slaves that walked beside them were…
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